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  1. https://ejobs.umd.edu/postings/64841 Position Summary/Purpose of Position: The Department of Art at the University of Maryland invites applications for a tenure-track Assistant Professor faculty position in Print and Expanded Media, beginning in August 2019. We seek candidates who embrace hybridity in an expanding field of theory and practice, and who are actively engaged in investigations of technologies that augment and influence contemporary print media. The candidate’s creative practice should reflect the ability to work within an interdisciplinary department and a print program that blends traditional processes with new media and digital augmentation. These practices may include but are not limited to: multiples, photography, performance, sculpture, installation, digital fabrication, physical computing and kinetic or other time-based approaches. The University of Maryland is an equal opportunity employer. The Department of Art is committed to increasing the diversity of the campus community. Candidates who have experience working with a diverse range of faculty, staff and students, and who can contribute to the climate of inclusivity, are encouraged to identify their experiences in these areas. Minorities and women who explore themes of identity, social categorizations, intersectionality, race, class, gender, and sexual orientation are encouraged to apply. This search is contingent upon the continued availability of funds. Expectations/Responsibilities Research: Maintain an active practice of creative research with a national and international trajectory through exhibition, publication, curatorial projects and other engagement in contemporary art. Teaching: ● Teach two undergraduate courses per semester in a range of printed media courses based upon the applicant’s areas of expertise. ● Advise and mentor MFA students in all disciplines on an individual basis, and take part in semester reviews with the collective graduate faculty. ● Advise and mentor undergraduate students in our Departmental Honors Program on an individual basis, and participate in a variety of group critiques with the collective Honors faculty. ● Serve as Director or committee member on MFA thesis committees. Service: ● Provide guidance in the adoption of emerging technologies in the Department of Art across disciplines, with particular attention paid to the digital media and print programs. ● Interact with academic units across campus on research and curricular initiatives regarding the implementation of new technologies. ● Participate in the oversight and administration of print media and related facilities within the Department of Art. ● Participate in the ongoing governance of the Department of Art. Minimum Qualifications: ● MFA or equivalent terminal degree. ● Demonstrable investment in the uses and implications of emerging technologies in the field of the printed image. ● A record of active creative research, as demonstrated through exhibition, publication or other creative practice that demonstrates a potential for national or international recognition. Preferences: In addition to the minimum qualifications, one or more of the following would be advantageous for an applicant: ● 2 years full time college-level teaching or equivalent. ● Involvement in and ability to teach studio, art theory and critical issues courses focusing on agency and social identity in contemporary art. ● Demonstrated ability to work effectively with colleagues and students, particularly in interdisciplinary and collaborative environments. ● Experience with curatorial projects. ● Experience with exhibition installation and design. Additional Certifications: Additional Information: Required Documents: 1. Cover letter that addresses creative research interests, teaching philosophy, diversity and community engagement. 2. Curriculum Vitae 3. List of three references (name, title and affiliation, mailing address, phone number, and email) 4. A PDF Portfolio of applicant’s work. Links to online work may be included. 5. A PDF Teaching portfolio including course syllabi, student work created within the past 5 years and any related materials. Website URL may also be included. Optional Documents 1. Writing Sample Posting Date:11/06/2018
  2. http://w3.bilkent.edu.tr/bilkent/department-of-communication-and-design/ The Department of Communication and Design at Bilkent University invites applications for appointments beginning with the academic year 2018-19, or to start in Spring 2018. We seek to hire two faculty members at the Assistant or Associate Professor rank: one is a research-based position, the other is practice-based. Qualifications for the research-based Assistant/Associate Professor position: D. in media studies or a closely related subject Research experience and a strong publication record in media theory Ability to teach media production preferred, but not required Qualifications for the practice-based Assistant/Associate Professor position: D. or MFA Strong portfolio of work in media production, multiple forms (animation, film, other media) a plus International publications Candidates are expected to teach a range of film and media studies courses from the core department curriculum, plus advanced lecture courses in one or more of the following areas: Media theory Communication and media technologies Media and cultural criticism Animation Interactive media design Post-production Faculty members are expected to engage in scholarly research, creative teaching, and service to the department and university. The language of instruction is English. Bilkent University is an equal opportunity employer with an international body of faculty and students. The faculty is comprised of academic staff from around 40 different countries. Bilkent University ranks 28th in Times Higher Education’s 100 Under 50 list of the world’s best young universities. Benefits include a comprehensive health insurance and on-campus housing. For more information about Bilkent University and the Department of Communication and Design, please visit http://w3.bilkent.edu.tr/bilkent/ and http://www.comd.bilkent.edu.tr/ Applicants should submit a letter of application, describing the focus of current research and teaching activities, a current CV, a writing sample of no more than 20 pages, and three letters of recommendation. Additional materials may be requested at a later point. Applications will be reviewed as they are received, and the review will continue until the position is filled.
  3. https://segd.org/sites/default/files/2019-segd-academic-summit-call-for-papers.pdf Call for Papers Submission Deadline Friday, March 1, 2019 SEGD | Society for Experiential Graphic Design is soliciting submissions for the 2019 Academic Summit to be held on Wednesday, June 6, in Austin, Texas. Potential papers should address the educational, institutional, technological, social, and cultural issues that have relevance to the overarching discipline of Experiential Graphic Design (EGD), which encompasses environmental graphic and information design, exhibition design, wayfinding and signage design, branding, interactive and immersive environments, and technology integration. Situated the day before the 2019 SEGD Conference, this event will bring together educators, students, researchers, and practitioners from the field of Experiential Graphic Design. For 2019 SEGD is seeking submissions of both academic research and curriculum innovation that speficically address design challenges including (but not limited to): advanced user centric experiences emerging technology interface innovation narrative design and storytelling smart cities and public spaces shifts in user behavior and spatial practices design thinking and business innovation service design and evolution Submission Requirements Submissions are due by Friday, March 1, 2019. They should be provided in the form of extended abstracts. Abstracts must meet submission requirement of a 300-word minimum with a 1000-word maximum. Submissions should contain the following: working title, paper summary, description of methodology used (if appropriate), contribution to the field, and implications for theory and practice. Inclusion of visual documentation (images and diagrams) are required to support the written abstract. Submissions must not contain any of the authors, contributors or institutions names. Please direct questions and PDF abstract submissions to Christina Lyons christina_lyons@fitnyc.edu SEGD’s Academic Task Force will select from the reviewed submissions and authors will be invited to present their papers at the SEGD Academic Summit on June 5 before the 2019 SEGD Conference: Experience Austin, June 6-8. Selected papers will also be published in SEGD’s online Academic Research research journal, Communication + Place. Discounted SEGD Conference registration will be offered to presenters of accepted papers. Deadlines Paper Abstract Submissions March 1 Paper Acceptance Notifications April 5 Full Manuscripts with Images/Diagrams May 24 Final Presentation File Submissions May 31 Academic Summit Presentation June 5
  4. We recently published a white paper on best practices when developing an abstract. This is especially useful for submissions to a conference, journal, or other academic publication where you would be presenting, writing, or discussing your thoughts about design research and practice. https://designincubation.com/category/publications/white-papers/ It is an easy-to-read guide that breaks down the structure and purpose of each element of an academic abstract. It is a go-to document that makes easy the work of developing your ideas succinctly. Please use and share with your colleagues and students.
  5. http://drslxd19.id.metu.edu.tr/call-for-papers/ 5th International Conference for Design Education Researchers Middle East Technical University Campus, Ankara Call for Papers, deadline November 19, 2018 Conference dates: July 9–12, 2019. The LearnXdesign is a conference series by DRS Special Interest Group in Design Pedagogy (PedSIG), cultivating symbiotic exchanges between design education and design research. The first symposium in the series was held in Paris in 2011 and covered a small number of invited presentations mainly by British and continental European researchers. The Oslo 2013 and Chicago 2015 conferences were embraced by the design education research community at large and involved an impressive number of contributions across design disciplines and educational levels representing diverse traditions in research and education. And finally, the fourth conference was hosted by Ravensbourne University London in 2017. The Fifth International Conference for Design Education Researchers will be hosted by Middle East Technical University (METU) Department of Industrial Design between 9-12 July 2019. We are truly excited to invite you all to our Ankara campus characterized by its unique natural and built environment as well as by its egalitarian culture and open intellectual milieu. Despite Turkey’s becoming an uneasy passage from multiple conflict zones to tightened EU borders, our department will have quite a few occasions to celebrate in the coming year. The year 2019 marks the 50th anniversary of the first course on industrial design offered in Turkey, at METU Faculty of Architecture by the American industrial designer David K. Munro. The same year we will also be celebrating the 40th anniversary of the establishment of our department as a separate academic unit at METU. We feel that design education matters more than ever!
  6. Hi everyone, I've initiated a series of book projects and am looking for some objective advice and constructive criticism – or otherwise, some sort of review or mentorship – that could also result in some request for contributing articles, interviews, and case studies. The book projects are framed academically and progress knowledge and research (my own and others) in the domain of municipal/community branding and storytelling. The composition of the books will largely be 50% logo inventory, 15% interviews, 15% articles, and 20% case studies – depending on the length of each book, of which there will be one for each state in the US, plus 2-3 after that would (respectively) collect all of the interviews, articles, and case studies together. I'm looking to do all of this over the next 5-year period. I am planning on self-publishing, have financing lined up, and am now in the content building phase. I do hope to have two additional books that collect all of the articles and interviews and case studies (respectively) published on a peer-review basis, as I don't think the 50 books I want to do will fit that mold. I welcome any advice, opinions, insights, or further conversations. Thanks!
  7. https://ead2019dundee.com/ Design and design researchers often disrupt the status quo in acts of creative disobedience, taking a contrary view to shed new light on a challenge. Increasingly, they are approaching this in a collaborative manner. In doing so, the discipline of design is itself evolving while running. EAD2019 Dundee invites designers to explore the disruption, risks and transformation of design across an enterprising three-day conference from 10th–12th April 2019. Call for Papers, Posters, Positioning Papers, Research Proposals, Workshops. Walks.
  8. Ahttp://www.collegeart.org/pdf/programs/conference/CAA-CFP-2019.pdf There are a few noteworthy design sessions. Please consider submitting or recommending someone to submit. (If you note other design sessions in this conference, please list them in the comments to this discussion...) Where Industry Meets Academia: Who is Leading the Pack in Design Research and Why? Committee on Design Chair: Dan Wong Email: dan@dan-wong.com Is industry making the greatest contribution and impact to design, or is research in the academy doing it behind the scenes? Is it time for more PhD programs in design? This panel discussion will span design disciplines. We invite academic design researchers, design practitioners, agency principals, and design entrepreneurs to participate in this discussion of the investment in design research and the establishment of contemporary design thinking, methodologies, and technologies. Human-centered Design Research Chair: Audrey Bennett - Rensselaer Polytechnic Institute Email: audreygbennett@gmail.com Today, there are a plethora of challenges in the world that deserve the attention and, more importantly, the expertise of designers. These global challenges tend to be complex in that they may traverse intellectual, ethnic, political, economic, gender, age, geographic, and other cultural boundaries and, thus, require input from different stakeholders. To address these cross-cultural complexities, the discipline of design provides research methods for collaboration along with technological resources that enable aesthetics to engender interaction between humans and things in unprecedented ways that have the potential to improve our wellbeing; but, may, at times, merely fumble our everyday experiences. We welcome papers that tout the successes and failures of human-centered design as well as those thatreport findings from collaborative research in academia and industry. As an open session, the intellectual scope will comprise an eclectic mix of topics that will range from design thinking, disruptive and intervention design, speculative design, decolonization,inclusive design, social justice, equity, universal design, human-computer interaction, urban design, generative design, meaningful play, systems thinking, sustainability, usability, social innovation, creativity, aesthetics, to visualization. Design Incubation Colloquium 5.2: CAA Conference 2019 New York City Design Incubation Chair: Robin Landa Chair: Elizabeth DeLuna Email: rlanda@kean.edu, delunae@stjohns.edu Presentations of original Communication Design research, including significant creative works, the practice of design, case studies, contemporary practices, and the scholarly review of design projects. New approaches to design education and pedagogy will also be discussed. We invite designers—practitioners and educators—to submit abstracts of design research. Presentations are limited to 6 minutes, preferably Pecha Kucha style. A moderated discussion of the research will follow. (Please submit to Design Incubation Colloquium session via the DI website form, at https://designincubation.com/call-for-submissions/.) The deadline to submit your proposal is August 6th 2017. Please follow the guidelines here: http://www.collegeart.org/pdf/programs/conference/CAA-CFP-2019.pdf. Proposals (including a title and 250 words maximum) should be sent to chairs directly. Please note that a current CAA: Advancing Art and Design membership is required to participate in the conference. However, If you are not a member of CAA at the time you submit the proposal, you can still submit—email CAA Membership Services at membership@collegeart.org or call them directly at 212-392-4430 and they can create a temporary CAA account number so that you can move forward with your submission. Please see the following list of FAQ for more information: http://www.collegeart.org/programs/conference/FAQ
  9. Design researchers, academics, and practitioners almost always have a website or blog that showcases their work, insights, activities, or research... In many cases, they might look like teaching or academic research blogs, but often they look like design company/firm/agency websites. Please share those go-to websites you visit regularly, or your own design research website.
  10. https://www.designresearchsociety.org/cpages/home The Design Research Society (DRS) is a learned society committed to promoting and developing design research. It is the longest established, multi-disciplinary worldwide society for the design research community. The Design Research Society was founded in the UK in 1966. The origins of the Society lie in the Conference on Design Methods, held in London in 1962, which enabled a core of people to be identified who shared interests in new approaches to the process of designing.
  11. http://designresearchmethods.com/ This site is a repository of design research methods, organized into sets of books, tools, organizations, practice, and articles. Creating a central hub of materials was motivated by the growing abundance of resources that has emerged in recent years. The site was developed and is managed by Bruce Hanington, Associate Professor and Director of Graduate Studies in the School of Design at Carnegie Mellon University, and co-author of Universal Methods of Design. Special thanks to Lisa Li for help with initial content research and site development.
  12. I am proud to announced the Call for Participation for MODE Summit 2019, hosted by Massey University in Wellington, New Zealand. The new website is coming soon, but the CFP can be found here: http://www.modesummit.com/cfp/. Please email me questions at gretchen.rinnert@modesummit.com The deadline to submit an abstract is 8 August 2018
  13. https://guides.libraries.uc.edu/c.php?g=711850 Databases Magazines and Journals Books & E-books Blogs and Websites Citing Resources Copyright Guidelines-- Images DAAP Theses and Dissertations
  14. http://informationplusconference.com/#call As an interdisciplinary event, we invite proposals from all fields of professional practice, research, and education in information design and visualization. We welcome submissions on such topics as (but not limited to): the environment, advocacy and law, health and medical applications, social and political issues, cultural analysis and collections, digital humanities, and projects in data journalism. Authors accepted for presentation at the conference will have an opportunity to submit articles for publication in a special issue of an academic journal (to be announced soon). The special issue will contain articles selected by a peer review process. Deadline: May 15, 2018
  15. I apologize in advance for stealing this content from https://educators.aiga.org/design-research-resources-journals/ I know it existed on their website, but I couldn't find it, and in my fear that it gets lost permanently, I reposted the information here... Resources re: Design Research and Scholarship ORGANIZATIONS THAT FOSTER OR SUPPORT DESIGN RESEARCH AND SCHOLARSHIP: Many of these host peer-reviewed conferences and publish their conferences’ proceedings. Some facilitate juried exhibitions and workshops. College Art Association (CAA) “CAA opportunities offers continuously updated information for artists, scholars, museum professionals, educators, and other members of the visual-arts community.” (calls for papers, calls for entry for exhibits, calls to host theme-based sessions, etc.) Cumulus Cumulus is the only global association to serve art and design education and research. It is a forum for partnership and transfer of knowledge and best practices. Cumulus consists currently of 226 members from 49 countries.” (conferences, events) DART+ : foundations for early career researchers in design Design Advanced Research Training website (DART), a open portal for resources aimed at postgraduate research education. Design Incubation “Design Incubation is a venue for educators and practitioners of Communication Design to discuss their design research and practice. Our aim is to create a community in which graphic designers can assess creative work through a lens of scholarly activity and academic review.” (colloquia, published abstracts) Design Principles & Practices Community This community is brought together by a shared interest in the process of design and their conceptual foundations. The community interacts digitally through social media, as well as through an annual face-to-face conference, a peer-reviewed journal collection, and book series. Members include academics, designers, administrators, educators, consultants and research students. Design Research Society (DRS) A multi-disciplinary learned society for the design research community worldwide.The DRS was founded in 1966 and facilitates an international design research network in around 40 countries. Design Studies Forum A College Art Association Affiliated Society that seeks to nurture and encourage the study of design history, criticism, and theory and to foster better communication among the academic and design communities. International Association for Societies of Design Research (IASDR) The purpose of this international Association is to promote research or study into or about the activity of design in all its many fields of application, through encouraging collaboration on an international level between independent societies of design research. The Association will promote, amongst other activities, the organisation of biennial International Congresses of Design Research, at appropriate venues around the world. International Conferences on Design History and Studies (ICDHS) “Advance the discipline of History and Theory of Design around the world.” (biennial conferences) Minnesota Center for Book Art “We celebrate the book as a vibrant contemporary art form that takes many shapes. Our mission is clear: to lead the advancement of the book as an evolving art form.” (exhibits, competitions, programs, etc.) Service Design Network (Germany) The Service Design Network is the leading institution for expertise in service design. SDN is a partnership of professionals and an open-minded, knowledge-sharing network. Through national and international events, online and print publications and coordination with academic institutions, the network connects multiple roles within agencies, business, and government to strengthen the impact of service design, both in the public and private sector. The Society for Experiential Graphic Design (SEGD) “SEGD’s Education programs include conferences, workshops, and webinars spanning a wide swath of design practice areas, including branded environments, exhibition and experience design, technology and interactive experiences, user experience, healthcare, practice and technical topics, wayfinding, accessibility, and the business of design.” University and College Design Association (UCDA) “…national summit for design educators, chairs, and students, continues an ongoing community created specifically for graphic design educators with many opportunities for professional participation and development.” (annual education summit, competition) TYPOGRAPHY ORGANIZATIONS: ATypI, Association Typographique Internationale A global forum and focal point for the type community and business. The Society of Typographic Aficionados (SOTA) The Society of Typographic Aficionados (SOTA) is an international not-for-profit organization dedicated to the promotion, study, and support of type, its history and development, its use in the world of print and digital imagery, its designers, and its admirers. JOURNALS: Communication + Place Communication + Place is the official research journal of the Experiential Graphic Design community. Published online, the journal features articles from both academics and professionals advancing the XGD profession through creative research, curriculum development, project reviews, and user-centric testing. Design and Culture The official journal of the Design Studies Forum. An interdisciplinary peer-reviewed journal published three times annually. Design Inquiry DesignInquiry’s topics and team-based gatherings generate work for DesignInquiry publications, exhibitions, and presentations. Conceived as a collaborative laboratory, our publications and events give gathering participants and our other contributors, an opportunity to test their research, articulate their conclusions, confront new questions, and commence a dialogue with the broader design community. DesignInquiry’s publications and events program is a vehicle for sharing design knowledge and shaping design discourse. Design Issues The first American-based academic journal to examine design history, theory, and criticism, Design Issues provokes inquiry into the cultural and intellectual issues surrounding design. The Design Management Journal The dmi:Journal is a refereed journal devoted to articles and academic research exploring how design—in products, communication, and environments—is an essential strategic resource, a component of every organization that can be effectively managed to make important contributions to the bottom line and to long-term success. Founded in 2000, it is published once a year and offered (along with the DMI Review) as part of DMI Membership. Contributors include many of today’s leading educators and practitioners. The Design Journal Established in 1998, The Design Journal is an international, refereed journal covering all aspects of design. The journal welcomes articles on design in both cultural and commercial contexts. The journal is published four times a year and provides a forum for design scholars, professionals, educators, and managers worldwide. It publishes thought-provoking work that will have a direct impact on design knowledge and that challenges assumptions and methods, while being open-minded about the evolving role of design. Design Philosophy Papers The Design Philosophy Papers [DPP] project is about getting more people to think deeply about design as a world-shaping force, be stopped in their tracks by this recognition and then participate in developing more informed design thinking and action. The main project elements are the online journal appearing six times a year and an annual collection of selected and commissioned essays in print plus a CD of the all the journal issues of the year. The journal has distinct sections: The Papers are its core – one or two substantial papers along with an introduction in each issue. The Sustainment is a regular column by Tony Fry that aims to take a leap beyond the exhausted rhetoric of ‘sustainability’. Hot Design presents polemical discussion on ideas and practices of design contributed by readers. A Reviews section for books and journals will be developed. Notice Board will be a reader-developed space to announce forthcoming events, publications, conferences, calls for papers and research projects. Design Research Quarterly Published by the Design Research Society, this is the quarterly newsletter of that organization. Design Studies Design Studies is a leading international academic journal focused on developing understanding of design processes. It studies design activity across all domains of application, including engineering and product design, architectural and urban design, computer artefacts and systems design. It therefore provides an interdisciplinary forum for the analysis, development and discussion of fundamental aspects of design activity, from cognition and methodology to values and philosophy. Information Design Journal Information Design Journal (IDJ) is a peer-reviewed international journal that bridges the gap between research and practice in information design. The International Journal of Art and Design Education The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education. International Journal of Design The International Journal of Design is a peer-reviewed, open-access journal devoted to publishing research papers in all fields of design, including industrial design, visual communication design, interface design, animation and game design, architectural design, urban design, and other design related fields. Journal of Communication Design (formerly Iridescent) Interdisciplinary and Graphic Design Research, published by Bloomsbury since 2015. The Journal of Design Research An interdisciplinary journal, emphasising human aspects as a central issue of design through integrative studies of social sciences and design disciplines. The Journal of Design History The official journal of the Design History Society, the leading UK organisation that promotes the study of design history, and brings together and supports all those engaged in the subject – students, researchers, educators, designers, designer-makers, critics and curators. Message The aim of the Mes­sage journal is to explore and challenge the bound­ar­ies of visual com­mu­nic­a­tion within Art &Design through an exper­i­mental and devel­op­mental ethos, chal­len­ging the prac­ti­tioner, the devel­op­ment and use of tech­no­logy, as well as ques­tion­ing visual com­mu­nic­a­tion val­ues and social, eth­ical and sus­tain­able practices. The Ply­mouth Uni­ver­sity Mes­sage cluster and journal is com­mit­ted to enhan­cing the devel­op­ment of the visual communication sub­ject areas, both in edu­ca­tion and com­mer­cial design, through research and enterprise. (University of Plymouth, UK) Openings: Studies in Book Art Openings is a peer-reviewed journal that publishes critical, historical, and theoretical articles, reviews, and interviews about book art and its pedagogy. Contributions from diverse perspectives are welcome as are interdisciplinary and international explorations of the relationship of book art to the broader art world and to related fields such as poetry, graphic design, printmaking, digital media, and other textual and/or visual disciplines. (College Book Art Association) The Parsons Journal for Information Mapping (PJIM) A quarterly publication of the Parsons Institute for Information Mapping. PJIM focuses on both the theoretical and practical aspects of information visualization and its disciplines. The Poster “The poster-maker, the pamphleteer and the tagger aim to sway the popular heart and mind through visual public interventions. As new technologies rise, turning the public sphere into a transparent, ubiquitous communications medium and a global marketplace, is the privileged status of the poster doomed or are we seeing it transformed as part of a new wave of visual rhetoric? When the environment starts to become responsive to our very presence and aware of our individual nature what is the role of the ‘traditional poster’ delivering a classical rhetorical message? This peer-reviewed journal aims to lead the debate. (Intellect Publishing) Public Journal PUBLIC Journal provides an unprecedented platform for the expanding Public Interest Design movement; where the world of architecture intersects the voices of activism, exposing a determination to provide good design for those that need it most, but most often do not get it. She Ji: The Journal of Design, Economics, and Innovation She Ji is a peer-reviewed, trans-disciplinary design journal with a focus on economics and innovation, design process and design thinking. The journal invites papers that enrich the understanding and practice that enable design innovation in industry, business, non-profit services, and government through economic and social value creation. These papers may explore how design thinking can inform wider social, managerial, and intellectual discourses with an added focus on strategy and management. She Ji also publishes articles in research methods and methodology, philosophy, and philosophy of science to support the core journal area. Touchpoint, the Journal of Service Design The first journal on service design launched in 2009 and published by the Service Design Network. Visual Communication Visual Communication is a quarterly, peer-reviewed academic journal publishing top research in visual studies. It welcomes contributions from scholars in anthropology, sociology, history and scientific research. Articles cover still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; and the role of the visual in relation to language, music, sound and action. This journal is a member of the Committee on Publication Ethics (COPE). (Sage Publishing) Visible Language An independent scholarly journal published continuously since 1967. The mission of Visible Language is to enhance human experience through the advancement of research and practice of visual communication. Working toward a balance between artfulness and science, between innovation and respect for human patterns of use, between research backed by evidence and intuitive exploration, between technology and its cultural implications for communication.
  16. http://www.collegeart.org/programs/conference/proposals CAA 2019 ANNUAL CONFERENCE New York, NY, February 13—16, 2019 New York Hilton Midtown Proposals must be submitted from March 1 through April 27, 2018.
  17. http://www.designstudiesforum.org/ Design Studies Forum seeks to nurture and encourage the study of design history, criticism, and theory and to foster better communication among the academic and design communities. The Design Studies Forum’s 800+ members include practicing designers, design historians, critics, and museum professionals. For further information about the Design Studies Forum listserv, or to enroll, contact cgorman@utexas.edu Design Studies Forum publishes the peer-review journal Design and Culture. For the journal info please see designandculture.org Founded as Design Forum in 1983 and renamed in 2004, Design Studies Forum is a College Art Association Affiliated Society.
  18. http://carnegieclassifications.iu.edu/classification_descriptions/basic.php I'm fascinated by the research expectations across institutions. One factor I've seen is the program offerings of a given institution. Another factor, particularly in our field of communication design, is the ability to do creative work or client work locally. Are there other factors? I also wonder whether the Carnegie classifications are a good guide to what an institution research expectations are of you during your tenure. How does the Carnegie classifications rate your school, and what are your research expectations?
  19. As the field of communication design changes and develops, research as a rigorous element of the process becomes required. At the Design Incubation Colloquium at Kent State, faculty there discussed how they introduced a research course in their graduate program, and then brought it into the undergraduate program. I’ve been intrigued since they first mentioned it... how is it taught? What are the lectures, lessons, assignments and outcomes? Do you teach a research course in your program?
  20. until
    http://conference.collegeart.org/ Wednesday, Feb 21 – Saturday Feb 24, 2018 Los Angeles Convention Center
  21. until
    Presentations and discussion in Research and Scholarship in Communication Design at the 106th Annual CAA Conference 2018 in LA. Design Incubation Colloquium 4.2: CAA 2018 Los Angeles Saturday, February 24, 2018, 2:00–3:30 PM LA Convention Center: 402A https://designincubation.com/publications/colloquium/colloquium-4-2-caa-2018-conference-los-angeles/
  22. until
    Affiliated Society: Design Incubation Friday, 2/23/18: 12:30–1:30 PM LA Convention Center: 406B Moderator Gloria Kondrup Executive Director Hoffmitz Milken Center for Typography Graphic Design Faculty, ArtCenter College of Design https://designincubation.com/publications/colloquium/affiliated-society-meeting-design-incubation-special-program-on-typography/
  23. Spending the weekend formatting this new space for design faculty to congregate online, and discuss professional issues that are on our mind we. Please contribute freely, and if you have recommendations, we welcome the input.
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